digital cinema screenvision
Suburban Bravery April 2007
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Digital Cinema $26.36 - Nonlinear editing–software, basic technique, cost savings- Digital video color correction- CGI–changing the shot after the shoot- Digital composition for film- Universal mastering (film, DVD, TV, internet)- Digital distribution and exhibition |
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Cinema in the Digital Age $26 Does the digital era spell the death of cinema as we know it? Or is it merely heralding its rebirth? Are we witnessing the emergence of something entirely new? Cinema in the Digital Age examines the fate of cinema in this new era, paying special attention to the technologies that are reshaping film and their cultural impact. Examining Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), The Ring (2002), among others, this volume explores how these films are haunted by their analogue past and suggests that their signature element are their deliberate imperfections, whether those take the form of blurry or pixilated images, shakey camera work, or other elements reminding viewers of the human hand guiding the camera. Weaving together a rich variety of sources, Cinema in the Digital Age provides a deeply humanistic look at the meaning of cinematic images in the era of digital perfection. |
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Understanding Digital Cinema $70.91 UNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management. * An overview of digital cinema system requirements* Post production work flow* Color in digital cinema* The digital cinema mastering process* Fundamentals of compression * Security* Basics of audio * Digital distribution* Digital projection technology* Theater systems* The international perspective: Views from Europe, Asia and Latin America* A realistic assessment of the future of digital cinema With contributions by: Richard Crudo, President, American Society of CinematographersLeon Silverman, Executive Vice President, Laser Pacific Media CorporationCharles Poynton, Color ScientistChris Carey, Senior Vice President, Studio New Technology, The Walt Disney StudiosBob Lambert, Corporate Senior Vice President New Technology & New Media, The Walt Disney CompanyBill Kinder, Pixar Animation StudiosGlenn Kennel, DLP CinemaPeter Symes, Manager, Advanced Technology, Thomson Broadcast & Media SolutionsRobert Schumann, President, Cinea, Inc., A Subsidiary of Dolby LabsDavid Gray, Vice President, Production Services, Dolby Laboratories, Inc.Darcy Antonellis, Executive Vice President, Distribution and Technology OperationsWarner Bros. Technical Operations Inc. and Senior Vice President, Worldwide Anti-Piracy Operations Warner Bros. Entertainment Inc.Matt Cowan, Principal and Founder, Entertainment Technology ConsultantsLoren Nielsen, Principal and Founder, Entertainment Technology ConsultantsMichael Karagosian, Partner, Karagosian MacCalla Partners (KMP)Peter Wilson, Vice President, Display Technologies, Snell and Wilcox Ltd.Patrick Von Sychowski, Senior Analyst, Screen DigestWendy Aylsworth, Vice President of Technology, Warner Bros. Technical Operations Inc. * Learn how to manage the change and control costs, from a who’s who list of the leaders in this ground-breaking field*Walk away from reading this book with an essential understanding of digital cinema today* Understand the benefits of the transition to digital cinema |
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Color and Mastering for Digital Cinema $68.35 Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment and software. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digital cinema distribution is based on decades of color science and experience in other industries. The rationale for choosing XYZ and the other color encoding parameters is explained and the book also provides a full case study of the development of DLP Cinema?? projectors by Texas Instruments. Finally, this book explores how the XYZ color encoding concept can be extended to support enhanced display technologies in the future. This book contains: * Brilliant 4-color illustrations that compliment the color science explanations * Never before published industry information from author Glenn Kennel, a world leader in digital cinema color technology * Descriptions of key issues and background on decisions that were made in the standardization process By Glenn Kennel, Glenn Kennel is VP/GM of Feature Film Services at Laser Pacific Media Corporation, a leading provider of a full range of post production services for television and feature film. Recently, he worked for the DLP Cinema group of Texas Instruments in a role that included technology and business development. Previously, in a twenty year career with Kodak, he led the development of the Cineon digital film scanners and laser recorders and the prototype HDTV telecine that became the Spirit Datacine. As a consultant, he helped DCI draft the technical specifications for digital cinema. Kennel also chairs the SMPTE DC28 Colorad hoc group and the DC28.20 Distribution working group. He is a SMPTE Fellow and has received the SMPTE Journal Award. He is also a member of the Academy of Motion Picture Arts and Sciences. * Brilliant 4-color illustrations compliment the color science explanations * Never before published industry information from author Glenn Kennel, a world leader in digital cinema color technology * This book describes the key issues and provides background on decisions that were made in the standardization process |
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Digital Movie Cameras: Digital Cinematography, Red Digital Cinema Camera Company, Digital Movie Camera, Genesis $19.99 Digital Movie Cameras: Digital Cinematography, Red Digital Cinema Camera Company, Digital Movie Camera, Genesis |
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Transnational Cinema $150 Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema. Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. The reader is divided into four sections: From National to Transnational Cinema Global Cinema in the Digital Age Motion Pictures: Film, Migration and Diaspora Tourists and Terrorists. |
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Experimental Cinema in the Digital Age $31.95 The clamor over new digital technologies has obscured the fact that filmmakers have experimented with computers for several decades. One of the most notable of these is Malcolm Le Grice, a pioneer of structural film in the 1970s whose first video and computer works were exhibited in the late 60s.Le Grice, author in 1974 of Abstract Film and Beyond, has been writing about experimental cinema and digital art since the late 60s. His is one of the most sustained bodies of theoretical work in the area. This collection of his most notable essays sheds light on the work of other artists and filmmakers and documents a period, especially the 70s, when artists’ film was at the center of fierce and polemical debate about the nature of the avant-garde and the future of radical or experimental film.Including a preface by Sean Cubitt, a new overview by the author, and introductory prefaces to each section, this book is a fascinating historical account of an artist’s thinking over three decades. It also makes a substantial contribution to vital contemporary debates about film, video, art and new technology. |
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Optoma H77 900 ANSI Lumens DLP Digital Cinema Projector $2904.99 H77 900 ANSI Lumens DLP Digital Cinema Projector |